Stuart Burch
www.stuartburch.com
  • 01 Home
  • 02 Articles
  • 03 Blog
  • 04 Big Ben
  • 05 Reviews
  • 06 Talks
  • 07 Contact
  • 08 Search
  • 09 Twitter
  • 10 Etisarap

Falsity presented as truth

22/8/2012

 
After writing Manipulating Moderna Museet, I decided to revisit the museum for one last look at "Image over Image" – a temporary exhibition devoted to the work of Elaine Sturtevant.

This decision was in itself noteworthy. In one of the gallery spaces it’s possible to watch a video of “The Powerful Pull of Simulacra”. This is the title of the lecture Sturtevant gave in conjunction with the show.(1) In it she argues that “objects are out; image is the power”. But if this is the case, why do we need a museum of objects such as Moderna Museet? Indeed, what is the point of making a physical pilgrimage to see “Image over Image”?

The answer, I think, is all to do with “the powerful pull of simulacra”. I paid a repeat visit to “Image over Image” in order to savour being in the presence of what might be termed “genuine fakes”. This is a reference to one of the most striking moments of Sturtevant’s lecture: the part when she talks about “falsity presented as truth”.

That evocative phrase – “falsity presented as truth” – encapsulates “Image over Image”.
Warhol Flowers by Sturtevant
My moment of epiphany came as I genuflected in a room containing four works entitled Warhol Flowers. These are all dated 1990 – the same year of creation as those Brillo boxes that Pontus Hultén so very generously donated to Moderna Museet.

And then it struck me!

Moderna Museet is a secular temple. Its sacred spaces and canonical texts authenticate that which it displays.

Sturtevant’s “Image over Image” has allowed Moderna Museet to reclaim Pontus Hultén’s “fake” Brillo boxes. This in turn expunges their questionable provenance which threatened to besmirch the good name of Moderna Museet’s most illustrious leader.

Thanks to Sturtevant, it is now possible for the Brillo boxes’ falsity to be presented as truth. For is it not the case that, at the very same time that Sturtevant was propagating Warhol Flowers, Hultén was conjuring up a whole new suite of Brillo boxes? Endorsing the former has the effect of validating the latter.

And that’s how dead artist’s can produce genuine works of art long after their deaths.

If you still don’t get it, well, that’s probably just your “determination to be stupid” – to quote that true original, Elaine Sturtevant.(2)

___
Note

(1) Elaine Sturtevant, “The Powerful Pull of Simulacra”, a talk given at the symposium, Beyond Cynicism: Political Forms of Opposition, Protest, and Provocation in Art, Moderna Museet, Stockholm, 18th March 2012.
(2) Ibid.


Comments are closed.
    Author
    an extinct parasite
    of several hosts
    Why parasite?

    Try the best you can

    Para, jämsides med.
    En annan sort.
    Dénis Lindbohm,
    Bevingaren, 1980: 90

    Picture
    Even a parasite like me should be permitted to feed at the banquet of knowledge

    I once posted comments as Bevingaren at guardian.co.uk

    Guggenheim New York, parasitized

    Archives

    July 2019
    July 2018
    May 2018
    April 2018
    March 2018
    February 2018
    July 2017
    June 2017
    March 2017
    January 2017
    November 2016
    October 2016
    May 2016
    April 2016
    March 2016
    August 2015
    September 2014
    August 2014
    November 2013
    August 2013
    June 2013
    April 2013
    March 2013
    February 2013
    January 2013
    December 2012
    November 2012
    October 2012
    September 2012
    August 2012
    July 2012
    June 2012
    May 2012
    April 2012
    March 2012
    February 2012
    January 2012
    December 2011
    November 2011
    October 2011
    September 2011
    August 2011
    July 2011

    Categories

    All
    Architecture
    Archive
    Art
    Commemoration
    Dénis Lindbohm
    Dennis Potter
    Design
    Dylan Thomas
    Ethics
    Framing
    Freedom Of Speech
    Heritage
    Heroes And Villains
    History
    Illicit Trade
    Landscape
    Media
    Memorial
    Museum
    Music
    Nordic
    Para
    Politics
    Rupert Murdoch
    Science
    Science Fiction
    Shockmolt
    Statue
    Tourism
    Words

    Stuart Burch
    View my profile on LinkedIn
    _
    Note    All parasitoids are parasites, but not all parasites are parasitoids
    Parasitoid    "A parasite that always ultimately destroys its host" (Oxford English Dictionary)


        I live off you
        And you live off me
        And the whole world
        Lives off everybody

        See we gotta be exploited
        By somebody, by somebody,             by somebody
       
        X-Ray Spex
            <I live off you>
        Germ Free Adolescents
            1978  

    From symbiosis
    to parasitism
    is a short step.
    The word is
    now a virus.
    William Burroughs, The word is now a virus
    William Burroughs
    <operation rewrite>

    Do nothing
    that can
    harm
    your host!

    Hal Clement
    <
    Needle>
    1950
key words: architecture | archive | art | commemoration | design | ethics | framing | freedom of speech | heritage | heroes and villains | history | illicit trade | landscape | media | memorial | memory | museum | music | nordic | nottingham trent university | parasite | politics | science fiction | shockmolt | statue | stuart burch | tourism | words |